PMB Photo 46 is a collection of 2291 photographs Bill Gammage took of Papua New Guinea subjects over 22 years from March 1966 to September 1988. It can be divided into four sections.
The first section (March to November 1966, August 1968, and March 1970) has about 200 photos. The subjects include: June Valley and the first Preliminary Year of the University of Papua New Guinea (UPNG), the Administrative College (Adcol), the buildings at Port Moresby Showground which served as university lecture theatres, students, staff, rugby union football matches between the university/Adcol team known as Aduni and other local teams. Town (Port Moresby) subjects include Fairfax Harbour, the seaplane hangar area, Koki market, Girl Guide Shop, Cuthbertson Street, House of Assembly, Ela Beach, war memorials, Anzac Day, and the suburb of Boroko. Outside Port Moresby subjects include Bomana War Cemetery, Idlers Bay and the villages of Porebada, Hanuabada, Kapa Kapa, and Lea Lea. In the hills behind Port Moresby, subjects include Crystal Rapids, Sirinumu Dam, Hombrom Bluff, Sogeri, Rouna Falls, the Kokoda Trail monument, Owers Corner, Uberi and Goldie River. Other subjects include the Kokoda Trail from Kokoda to Templeton’s Crossing and the Menyamya sub-district of Morobe. Among the people photographed are Tony Voutas, Peter Metcalf, Hank Nelson, Peter Munster, Thomas Tobunbun, Ken Inglis and Leo Morgan.
Complementing the photos of this period are two chapters - “Moresby 1966” in Australians in Papua New Guinea 1960-1975 and “The Boy from Boort” in a book of the same name (both published in 2014) and the article “What Kaindi Expects” published in Nation, Sydney (No. 210, 14 January, 1967).
The second section (February 1972 to December 1976) has about 1500 photos. They show people and places in nineteen of the twenty provinces - Central, East Sepik, East New Britain, Eastern Highlands, Western Highlands, Western, Gulf, Morobe, Madang, Milne Bay, Enga, New Ireland, Manus, Southern Highlands, Bougainville, Simbu, Northern/Oro, West Sepik/Sandaun and the National Capital District.
Subjects include men, women and children, agriculture, cash crops, plantations, mines, infrastructure (roads, bridges, airstrips, communications towers), buildings (houses, offices, spirit houses, schools, aid posts), sing-sings, pig kills and exchanges, mission stations, environment (rivers, mountains, volcanoes, landscapes and seascapes), flowers, birds, animals, insects, and suburban life in Boroko including that of single men from the Highlands who wanted jobs in town. Their story is told in “The Men from Gono” (Overland, Winter, 1975). Other articles include “Moresby or the bush” (Current Affairs Bulletin, 50 (11), April 1974), “Tinmanmale of Taunsip” (Oral History (PNG), 3 (5), 1975 (with Rabbie Namaliu)), and “Maclay comes to Gorendu”, ( Oral History (PNG], 4 (1), 1976).
Other subjects include UPNG, graduations, the Goroka Show, the Hagen Show, the Port Moresby Show, Anzac Day, and the Independence celebrations of 1975. Sites relating to both traditional warfare and to World Wars 1 and 2, individual graves, cemeteries, memorials and plaques, are also subjects. Included among the headstones and memorials photographed are the grave at Lagui, Salamaua, of Corporal Anis of the Native Constabulary Branch of the New Guinea Police, and a memorial to Baros of Sirovi at Kieta. Headstones for Victoria Cross (VC) winners are those of Fijian Corporal Sefanaia Sukanaivalu at Bitapaka near Rabaul, and Australians Private BS Kingsbury at Bomana and Flight Lieutenant Bill Newton at Lae. The sites at which two VCs were won - Mission Hill at Wewak where Private Ted Kenna won his VC and the ground at Sattelberg up which Sergeant “Diver” Derrick attacked - are also subjects, as is the sign marking the place where Mavis Parkinson and Sister May Hayman of Gona Mission Station were executed.
Research trips including to Bulldog Landing, Misima and Woodlark Islands, Wau and Bulolo, East New Britain and New Ireland are subjects. Complementing the photos of the East New Britain and New Ireland research trip are “The Rabaul Strike 1929” (Journal of Pacific History, Vol 10, No. 3 (1975)) and the Australian Dictionary of Biography entry on Sumsuma. The trip to Misima and Woodlark contributed to Hank Nelson’s Black, white and gold: gold mining in Papua New Guinea, 1878-1930 (ANU Press, 1976). Walks are also subjects and include Kaintiba to Menyamya, Kosipe to Tapini, and (by others) Efogi to the Koiari access road.
Among the people photographed are Ken Inglis, Tony Voutas, Hank Nelson, Elton Brash, David Hegarty, Jim Fingleton, Mike Manning, Chris Gregory, Mary Jane Mountain, Michael Somare, Gough Whitlam, Rabbie Namaliu, Kateo, Manning Clark, Dymphna Clark, Peter Munster, Nora Brash, Zedekia Ngavirue, Bertha Ngavirue, John Kaputin, Margaret Loko, Martha and Grandma George, Albert Speer, Rhys and Dorothy Healey, Bill Standish and John and Tim Moresby.
The third section (July 1980 to December 1985) has about 200 photos. Subjects include Port Moresby, the South Pacific Arts Festival, the Eastern Highlands, Chimbu, Western Highlands, Enga including Porgera gold mine, East Sepik, Western, Madang and Gulf provinces. Among the people photographed are patrol officers and explorers Jim Taylor and John Black and their wives Yerima and Dawn, and Sione Latukefu. John Black was also photographed with explorer Ivan Champion. See Australian Dictionary of Biography entries for Taylor, Black and Champion.
The fourth section (September 1987 to September 1988) has about 370 photos. The main subject is field research for work on the 1938 Hagen-Sepik Patrol. In part, this work involved retracing the route that the patrol had taken, plus visiting provinces from which police or carriers were recruited. Copies of photos taken in 1938, most by Pat Walsh, were shown to relatives and other people along the route and also helped locate key sites on the 1938 journey. People who took part in the patrol, mostly as carriers or police, were interviewed and photographed. Sites include the camp site at Hoiyevia, the Strickland Gorge crossing, the Telefomin camp, and Porgera gold mine. Recent developments in the area including the newly opened mine at Mt Kare are also photographed.
Among the Papua New Guinean subjects are policemen Bus of Yuringo, Manus, and Kowuwu of Aro, Morobe, cook Aire Onesa and carrier Sepeka both from Lower Bena, Eastern Highlands, Nifinim at Telefomin, West Sepik/Sandaun, and Suni at Olsobip, Western Province. Kwarima Ubuma of Hoiyevia is photographed as is Meta near Mt Hagen and Mainch of Karo near Ramdi. Meg and Daisy Taylor are also photographed.
A film My Father, My Country was produced in 1989 and the book The Sky Travellers: Journeys in New Guinea 1938-1939 published in 1998 (Melbourne University Press). Other related publications are a commentary ‘John Black’s “Anatomy of a Hanging: Malignant Homicidal Sorcery in the Upper Markham Valley…”’, (Journal of Pacific History, 33 (2), December, 1998) and an article “Sorcery in New Guinea, 1938 and 1988”(Journal of Pacific History, 41, June, 2006).

Photographic slides of Papua New Guinea given to H.C. Morris by Sir Paul Hasluck in 1956 from his personal collection. In the 1950s, as Project Officer at the Manus Island naval Base, Mr Morris ran the first formal training and engineering apprenticeships in Papua New Guinea. Slides include photographs of Port Moresby Hospital, a village school, plantations and timber mills.

Jean Chambers was a commercial artist who commenced work designing screen slides for Whitford Theatre Ads in Sydney. She then worked for Vivian Art Studios which carried out all branches of advertising and display for many large buisiness firms in Sydney, including Bonds Hosiery, Berley’s and Nestles. In 1935 she married Keith M. Chambers and moved to New Guinea with her husband. They were evacuated in 1941, returned to Madang in 1946, where Keith Chambers was the Customs Officer, then moved to Rabaul in 1948. In 1948 a Maternal and Child Health (MCH) service was established in the TPNG Department of Public Health by Dr Joan Refshauge. The MCH commissioned Mrs Chambers to design posters on infant care. (See posters marked “Rabaul”.) The original paintings were sent to Sydney for lithographic block making in 3 or 4 colours. Thousands were printed and returned for distribution by the Public Health Department as teaching aids in villages throughout the Territory. The couple moved to Port Moresby in the mid 1950s where Keith Chambers eventually became Chief Collector of Customs. In Port Moresby Jean Chambers designed and completed film strips for the Commonwealth Film Unit on women’s club training, and worked for Burns Philp (NG)Ltd for 18 months during 1958-59 on display and newspaper advertising. Mrs Chambers also received more commissions for posters and eventually acccepted a full-time appointment with the Department of Information where she trained New Guinean staff in silk screen printing, using her designs and stencils for posters, mainly on health education but also for the Departments of Agriculture, and Post and Telegraphs. Mrs Chambers left PNG when her husband retired in 1965 or 1966.

34 lithographic and silk screened posters on health education in PNG, 1948-1965(?); 13 posters on the introduction of decimal currency in PNG, 1965.

This collection by Charles Morris Woodford includes two albums of photographs taken during a voyage to and residence in the Solomon Islands from April to October 1886, as well as additional loose photographs.
The collection includes images from the villages Aola and Fauro in the Solomon Islands. Images include village life, canoes, native animals, customs and the natural environment as well as Charles Morris Woodford’s life and Government residence in Tulagi, Solomon Islands.
Additional photographs from Rabaul, Madang, New Britain and New Ireland in Papua New Guinea.

Photographs of Samarai, Kwato, Abau Island, Port Moresby and elsewhere in Papua New Guinea, documenting Henry Dexter's experiences as a plantation manager.

Includes 5 printed reports which appeared as a numbered series.

Nos 1. & 2.: Report on the Suau-Tawala Anthropology of the South-Eastern Division and part of the Eastern Division of Papua - W.E. Armstrong
No. 3.: Collection of Curios and the Preservation of Native Culture - F.E. Williams
No. 4.: The Vailala Madness and the Destruction of Native Ceremonies in the Gulf Division - F.E. Williams
No. 5.: Animistic and Other Spiritualistic Beliefs of the Bina tribe, Western Papua (reprinted from Journal of the Royal Anthropological Institute, vol. LI, July-December 1921) - A.P. Lyons

Father Baldwin spent several years at the Sacred Heart Mission in the Trobriand Islands, Papua New Guinea.

A 333 page Bohilai-English vocabulary. Bohilai is the language of Basilaki Island (formerly Moresby Island), one of the islands of the Louisiade Archipelago of Papua. Additional language material by Father Baldwin is available as PMB 1031