These slides were taken by John Baker while he was undertaking fieldwork for a PhD at the Australian National University (ANU) on the relationship between shipping transport costs and patterns of spatial development in Fiji and Tonga. John and his wife Liz (Elizabeth) lived in Suva and Nuku’alofa and were fortunate to travel extensively by ship around Fiji, as well as visiting the Vava’u Group in Tonga. The collection mostly includes ships and other vessels (including Japanese fishing boats, punts and whaleboats), as well as shipping infrastructure. It also includes landscapes, street scenes and personalities encountered.

In Fiji, shipping infrastructure includes Queen’s Wharf, Suva Wharf and the CSR (Colonial Sugar Refinery) wharf/jetty in Lautoka. Cargo is loaded and unloaded, including sugar, cars, timber and copra. Businesses include Pacific Fishing Co. and Morris Hedstrom. People photographed are Barry Shaw, Bill Erich, Dorothy Toussaint, Ian Fairbairn and Heidi Fairbairn and their son John Fairbairn, Liz Baker and John Baker, as well as the ANU House caretakers Manuele and Asenat. Places photographed are Sigatoka, Walu Bay, Deuba, Mualevu village and Lomoloma at Vanua Balavu / Mbalavu Island, Munia Island, Cikobia Island, Korotoga, Levuka, Yacata Island, Kanacea Island, Nayau Island, Naivaka Village, Bua coast of Vanua Levu Island, Nadura, Macuata coast, Undu Point, Somosomo, Taveuni, Taveuni coastline at Naikelemusu, Rewa Delta and Laucala Bay, Suva. There are general views of sugar cane / sugarcane fields and other agriculture (including rice, copra and use of bullocks), coral reefs, Suva housing, including new and informal housing, as well as the ANU house at 30 Beach Road.

In Tonga, photographs include shipping and other vessels (including steel barges, cutters, landing craft, sailing boats and others), as well as shipping infrastructure at Faua Harbour, Touliki Harbour, Neiafu wharf and Queen Salote Wharf at Nuku’alofa. Ships carrying passengers and cargo. Places photographed are Makaha'a Island, Pangaimotu Island, Tokulu Island in Ha'apai Island Group, Ha'afeva Island, Pangai village on Ha'apai Island, Vava’u Island (including abandoned airstrip), Onetale Bay and Neiafu town. People photographed are Liz Baker, Bill Toussaint and Elizabeth Toussaint. Scenes include coral blocks for Langi tombs, lakes, horses, vanilla gardens, Wesleyan church and Burns Philp store, amongst others.

Selection of slides for digitisation was made by John Baker.

The Oceania Marist Province Archives Series (OMPA) is the result of a special project during which records of the Catholic Church in islands of the Western Pacific were copied by Father Theo B. Cook, SM in collaboration with the Pacific Manuscripts Bureau. (Cook was born Theodorus Bernardus Wilhelmus Kok but chose to go by the name Cook in Australia: Povey, 2010). The OMPA series covers the Diocese of Tonga (OMPA 1-25), Diocese of Samoa and Tokelau (OMPA 26-74), Marist Fathers, Rome (OMPA 80-100), Diocese of Wallis and Futuna (OMPA 101-126), Diocese of Port Vila (OMPA 127-178), Archdiocese of Noumea (OMPA 179-360) and the Oceania Marist Province Archives (OMPA 361-400).

Detailed indexes were prepared for the six diocese and those records copied in Rome. These can be found at http://asiapacific.anu.edu.au/pambu/collections/microfilm.php or compiled in The Catholic Church in the Western Pacific: a guide to records on microfilm (Robert Langdon, ed.), Canberra, 1986.

PMBPhoto 101 is a collection of 176 selected photographs of Fiji subjects taken over two weeks in August 2009. Friends living in Suva – Judith Robinson and Chris Gregory, Brij and Padma Lal and Ian and Valerie Campbell – organised several people to meet and places to visit on Viti Levu and Bau. The photos were selected from a collection of 414 photos. They complement the photos in PMBPhoto70 taken at the same time by Bill Gammage.
The subjects include places of Fiji historical and political interest such as Nukulau Island, and in Suva town, Parliament House, Government House, the Government buildings complex foundation stone, the list of Governors of Fiji 1874 to 1938 and 1938 to 1970, the Supreme Court of Fiji, buildings constructed in colonial times including the old picture theatre, the Sacred Heart Cathedral, Suva town market, the Grand Pacific Hotel, and Albert Park, and more recently the Fiji Independent Commission Against Corruption. A banner “We Need Rainbows Not Rambos” reflects the feelings of some people at the time. More contemporary subjects of general interest in Suva include a McDonalds fast food outlet, an artefact shop, the view across Nabukalou Creek, Pure Fiji cosmetics, and the University of the South Pacific.
Suva’s hinterland provided the following subjects: the Colo-I-Suva Forest Park and Quarry, and Nausori. Of historical and particular personal interest are the photos of the Methodist Church at Dilkusha and its attached kindergarten. Jan’s stepmother spent several months at the Dilkusha Methodist Mission after she left school in 1922. Other subjects include Takalana Resort with its lovo pit (earth oven), pineapple and other flowers and Moon Reef. For photos of dolphins see PMBPhoto70.
The Hindi wedding in Suva of Savita and Mahen is a major subject. It took place over an evening and three days, and was full of interest, colour and activity. The selection includes 50 photos.
Other major subjects are Bau, Bukuyu and Mt Tomanivi (Mt Victoria). There are 25 photos in the selection of Bau, where we were the guests of Ratu Jope Seniloli and his wife, Adi Seru Seniloli. The photos show some traditional customs as well as some of the sites of this historic island. Spending a night with Freddy and Tupou Gusulevu and family in rural Bukuyu in the Nausori Highlands was also enjoyable, and provided many subjects including kava and turmeric farming, as well as rural improvements such as local hydro electricity and football fields. The 27 photos in this selection include subjects seen on the way to and from Bukuyu including views from the Latamai Scenic View at the Tongan Hill Fort and the parabolic sand dunes at Sigatoka. Eleven photos are of subjects near Mt Tomanivi as well as the mountain itself, including Navai village and the Monasavu dam construction site.
Women are often the subject of these photographs. They are photographed working in shops, markets, as security guards, in their homes, and as participants in and guests at the wedding.

Alfred William Martin (1844-1928) was born in Clarence Plains, Tasmania, first son of William Martin (1805/6-1878), a convict transported to Tasmania, and Hannah Braim (1825/6-1860). Alfred William Martin was educated at Kettering Grammar School in Northamptonshire while his parents were revisiting England. Returning to Tasmania, Martin became a seaman, despite his good education, firstly on the ship Gem sailing out of Hobart and then, while still in his teens, on a whaler, Southern Cross, Capt. Mansfield, sailing out of Hobart to whaling grounds off New Zealand, NSW, and the New Hebrides. He then sailed on the Thomas Brown, Capt T.H. Brown, a freighter working between Melbourne and Adelaide. Subsequently Martin sailed a schooner, Jeannie Darling, 80 tons, owner Darling formerly a boat builder in Hobart, carrying timber and other goods between Melbourne and Schnapper Point (Mornington).

In Melbourne Martin joined the crew of a Brigantine, El Zéfiro (300 tons, Callao), Capt Manuel Diaz Garcias of Peru, smuggling opium to the China trade via Gilolo Island, Surigao and Manila; smoking bêche-de-mer at Ponape; trading in the Marshalls, the Gilbert and Ellice Islands, Niue, Samoa, Tonga and Fiji; trading for sandalwood in the New Hebrides; sailing onwards through the Banks Islands, Santa Cruz, San Christobal, Malaita, Guadalcanal, Bougainville, and back to Manila via the Moluccas and Celebes. El Zéfiro then sailed for Bougainville, reinforced with Bougainville warriors carried out a blackbirding raid in Aoba (Ambae) in the New Hebrides (Vanuatu), then sailed on to South America, touching at the Marquesas and Galapagos Islands, selling the New Hebridean slaves at Mollendo in Peru.

Alfred William Martin gave the manuscript to his granddaughter, Clara Ella Simm (b.1897), who he had brought up as a child after her father, William Simm (1855-1901), died in a flu epidemic in Launceston. When Dr Macnicol received the manuscript from his mother, via his sister, it was in a bundle tied with string. Dr Macnicol passed the manuscript to a conservator who repaired torn and fragmented pages. Dr Macnicol top-numbered the pages consecutively in pencil and transcribed the manuscript. He passed the transcript to Rafael Pintos-Lopez of Michelago, near Canberra, who submitted the transcript to Professor Brij Lal for assessment.

Untitled incomplete manuscript written by Alfred William Martin of Tasmania, written possibly in the 1890s relating his Pacific voyages and adventures in the 1860s, Ms. (gaps), re-paginated, pp.1-202; together with transcript of the manuscript made by Dr Peter Macnicol, Ts., pp.1-251.
See Finding aids for details.

For details see PMB Doc .199

Issues for June - December 1935