Emeritus Professor R.G. Ward was Professor of Human Geography at the ANU from 1971 to 1998, and Director of the Research School of Pacific and Asian Studies from 1980 to 1993.

He was Foundation Professor of Geography at the University of Papua New Guinea from 1967 to 1971. He has taught at University College London, and University of Auckland and is President of the Pacific Science Association. Professor Ward has been conducting research in the Pacific Islands since 1956, and has done fieldwork in Samoa, Fiji, Vanuatu and Papua New Guinea.

His books, as author or editor, include "Land Use and Population in Fiji", "American Activities in the Central Pacific, 1790-1870", "The Settlement of Polynesia: A Computer Simulation", "Man in the Pacific Islands", "South Pacific Agriculture: Choices and Constraints", "Land, Custom and Practice in the South Pacific", and "Samoa: Mapping the Diversity".

Professor Gerard Ward took these pictures when his ship stopped for a day in October 1956 at Niue whilst on his way to undertake field work in Western Samoa.

Professor Ward has commented on the visit: “One of the striking things about Niue was the upraised coral nature of the island. It is very difficult to cultivate and this is evident in the photographs PMB Photo 12_14 – 16. There is broken coral everywhere so parts of the land have very little soil and are unusable. These pictures show this, PMB Photo 12_26. Another feature is the lack of beaches, making access to the sea difficult and opportunities for fishing limited.”

This collection of photographs include streets and boat ramps around Alofi in Niue. The collection also includes images of local dwellings that use burnt lime plaster, village scenes, plantations, fishing techniques and outrigger canoes.

Ward died on 16 January 2023 in Adelaide.

This collection depicts the life and work of Australian missionary school teacher Richard Arbon in Samoa, and his work
predominantly on the island of Savaii on behalf of the Uniting Church World Mission – formerly the Central Methodist Mission.

These 152 35mm slides were taken between October 1969 and November 1973 by Roger Southern, who was then teaching at the Department of Geography at the University of Papua New Guinea [UPNG] and was researching a master’s degree with the University of Bristol for which he travelled to the PNG Highlands to observe the place of roads and road transport in economic change.

The images illustrate ten themes:

1. TRADITIONAL HIGHLAND VILLAGE LIFE, Lumusa area, Baiyer River district [Images 1 to 25]
2. BAIYER RIVER, local roads, and the emerging cash economy [26-46]
3. BAIYER RIVER, the Baptist Mission and Enga Enterprises coffee cooperative[47-57]
4. ALONG THE HIGHLANDS HIGHWAY, road making and road transport in a challenging environment [58-76]
5. ULYA COFFEE PLANTATION, people, activity in and around the plantation [77-94]
6. MOUNT HAGEN, images of the town [95-104]
7. WAHGI VALLEY, KINDENG, the tea plantation [105-113]
8. WAHGI VALLEY, KINDENG, the smallholder projects [114-126]
9. UPNG [UNIVERSITY OF PAPUA NEW GUINEA], the campus and some events [127-137]
10. UPNG [UNIVERSITY OF PAPUA NEW GUINEA], the students [138-152]

The late Edith Watts MBE and the late John Watts MLA provided many of the opportunities for images 1 to 126 to be made. Southern also remembers fondly the students and staff of the brand new and exciting University of Papua New Guinea [images 127-152].

This collection of 270 slides was taken by John Baker while he was seconded from the British Ministry of Overseas Development to the Government of the Kingdom of Tonga to work as Government Economist on the preparation of the country’s second development plan for 1970-75. John and his wife Liz (Elizabeth) lived in Nuku’alofa from September 1968 to May 1969 and travelled extensively around the main island of Tongatapu, as well as making a visit to the island of ‘Eua. The slides include various landscapes, agriculture, construction, King Taaufa'ahau Tupou IV and the exteriors of the Royal Palace, a visit by Queen Elizabeth II, Prince Phillip Duke of Edinburgh and Princess Anne of Great Britain and the Royal Yacht Britannia. There are also street scenes with signage for businesses such as Burns Philp, exteriors of the Dateline Hotel and people watching the Apollo 13 splashdown. Selection of slides for digitisation was made by John Baker.

These slides were taken by John Baker while he was undertaking fieldwork for a PhD at the Australian National University (ANU) on the relationship between shipping transport costs and patterns of spatial development in Fiji and Tonga. John and his wife Liz (Elizabeth) lived in Suva and Nuku’alofa and were fortunate to travel extensively by ship around Fiji, as well as visiting the Vava’u Group in Tonga. The collection mostly includes ships and other vessels (including Japanese fishing boats, punts and whaleboats), as well as shipping infrastructure. It also includes landscapes, street scenes and personalities encountered.

In Fiji, shipping infrastructure includes Queen’s Wharf, Suva Wharf and the CSR (Colonial Sugar Refinery) wharf/jetty in Lautoka. Cargo is loaded and unloaded, including sugar, cars, timber and copra. Businesses include Pacific Fishing Co. and Morris Hedstrom. People photographed are Barry Shaw, Bill Erich, Dorothy Toussaint, Ian Fairbairn and Heidi Fairbairn and their son John Fairbairn, Liz Baker and John Baker, as well as the ANU House caretakers Manuele and Asenat. Places photographed are Sigatoka, Walu Bay, Deuba, Mualevu village and Lomoloma at Vanua Balavu / Mbalavu Island, Munia Island, Cikobia Island, Korotoga, Levuka, Yacata Island, Kanacea Island, Nayau Island, Naivaka Village, Bua coast of Vanua Levu Island, Nadura, Macuata coast, Undu Point, Somosomo, Taveuni, Taveuni coastline at Naikelemusu, Rewa Delta and Laucala Bay, Suva. There are general views of sugar cane / sugarcane fields and other agriculture (including rice, copra and use of bullocks), coral reefs, Suva housing, including new and informal housing, as well as the ANU house at 30 Beach Road.

In Tonga, photographs include shipping and other vessels (including steel barges, cutters, landing craft, sailing boats and others), as well as shipping infrastructure at Faua Harbour, Touliki Harbour, Neiafu wharf and Queen Salote Wharf at Nuku’alofa. Ships carrying passengers and cargo. Places photographed are Makaha'a Island, Pangaimotu Island, Tokulu Island in Ha'apai Island Group, Ha'afeva Island, Pangai village on Ha'apai Island, Vava’u Island (including abandoned airstrip), Onetale Bay and Neiafu town. People photographed are Liz Baker, Bill Toussaint and Elizabeth Toussaint. Scenes include coral blocks for Langi tombs, lakes, horses, vanilla gardens, Wesleyan church and Burns Philp store, amongst others.

Selection of slides for digitisation was made by John Baker.

'A Paradise of the Gods. Writings and Drawings of Handley Bathurst Sterndale’ (2020) is an unpublished digital edition edited by J.J. Overell. In 1870, Handley Bathurst Sterndale worked as a surveyor on the island of Upolu, Samoa, for the German trading company Goddefroy & Sohn. In this capacity, he made an expedition across Upolu, making notes and sketches about the journey as he went. In 1871, on Motu Kotawa on the islet of Pukapuka atoll in the Cook Islands, he worked these notes into the manuscript ‘Upolu; or, A Paradise of the Gods’, and worked his sketches into finished drawings. Some accounts are not his first hand observations and others are demonstrably wrong. Sterndale sought to have the manuscript published, but was unsuccessful in finding a publisher before his death in 1878. After his death, it was listed in a catalogue among the publications of Sampson Low, Marston, Searle and Rivington of London, but the manuscript never made it to print. It is now available as PMB MS 1442.

The original notebooks have since been lost, but the surviving manuscript and drawings have been passed down to Sterndale’s descendants. This collection brings together 73 of Sterndale's drawings of Samoa, Cook Islands and other islands of the Pacific. The images were digitised by photographer Rod Howe. The images are of scenes witnessed or imagined on his journey, including plants and animals, people, nature and village life.

This collection of 44 photographs documents time spent by Gwen and Tom Taylor at Buin Area School and Kerema in Bougainville, Papua New Guinea from 1945 to 1961. Most of the photographs relate to Buin Area School and document the physical appearance of the school and various aspects of life there. These include photographs of students in classrooms, making cane furniture, weaving, swimming and gardening. Several photographs show Gwen Taylor holding babies and being pictured with nuns. Tom Taylor is pictured in a classroom and mention is made of his role as the principal of the school at Buin. Some of the photographs depict special occasions and ceremonial events being celebrated by local people. There are good examples of houses, school buildings and a church. One photograph depicts the purchase of a new truck and there are a few photographs depicting canoes, including an outrigger canoe. Also pictured are boats, including the MV Gona. One photo appears to show artillery at Kokopo. A few photographs feature non-local adults and children posing for the camera. One photograph shows a large cloud of smoke and appears to be the burning of garden. Another shows an explosion in the sea.

This collection of 36 postcards and photographs was amassed by Sr. Rhoda Ransom. Sr Rhoda Ransom was born in Maryborough Victoria, 29 Dec 1887 and worked as a nursing sister with the Methodist Mission in New Guinea from July 1912 until March 1913 when she returned to Australia suffering from malaria and rheumatic problems in her legs.
The majority of the collection is post card prints from the New Guinea Methodist mission series, some with notes and letters on the reverse side. Some of the post card print labels are in German. There is a family photograph (possibly taken around the time of WWI?), a passport photograph of Rhoda Ransom in 1949 and a photographic print of Rhoda Ransom in old age.

This is a collection of 134 digitised slides of Falefa, on the northeast coast of the island of Upolu, 20 km from the Samoan capital Apia. With a population in recent years of over 1500, Falefa comprises four ‘sub’ villages - Sagapolu, Saleapaga, Gagaemalae, and Sanonu. Its leading matai [chiefly] ali’I titles Leutele and Salanoa and leading tulafale [orator] titles Moeono and Iuli figure prominently in Samoan political history, particularly in relation to the district title Tui Atua, and Tama Aiga titles Tupua Tamasese and Mataafa.

The photographs were taken in Falefa by Robert Norton during four periods of sociological field research - October 1975-January 1976, August-September 1977, December-January 1980, February 1982. Norton was studying aspects of social and political change, particularly influences of the growing remittance economy. The large scale emigration of Samoans to New Zealand for wage employment was encouraged by the hurricane destruction of banana plantations in 1966 and an increasing need for industrial labour in New Zealand. Norton began his research in Falefa just nine years after the commencement of this exodus of young people to earn money to send home.

Many of the photos illustrate the changes in housing underway funded mainly by remittances in the early years of the labour emigration. A family’s success in establishing members in New Zealand’s work force was soon displayed and measured by the construction of modern houses. The change had slowly begun some years before the labour emigration wave, but was greatly accelerated by it.

Some families were a lot more successful than others in their access to remitted funds, having established several members in overseas employment. So the new era of migration and remitting brought a new dimension of economic and social inequality in the village. The inequality was sometimes quite stark in housing contrasts even between different households of the same aiga [land-owning descent group] - Traditional fale [houses] were still common in the village. Some families also used the new income to make a strong showing in their funding of fa’a’lavelave - important and expensive events such as weddings, matai title bestowals, funerals, and church dedications. The new source of economic inequality led to new dependencies between different households within an aiga.

Remittance income to village families was spent to a lesser extent in capital investments in plantation production, copra driers, utility vehicles etc; Vehicles were very few in the village during the 1970s [around half a dozen]. Although some people became successful entrepreneurs on their aiga land with the aid of remittances, more became less interested in their plantations and more contemplative of anticipated regular money gifts from emigrant family members.

Before the labour emigration wave, money income was gained mainly by the sale of produce from the land and sea [taro and other root vegetables, coconuts and copra, fish]. A few households included members with salaried jobs in town or in the village itself [the school, and the health centre], and several maintained small shops with everyday commodities purchased in Apia, Samoa’s main town. Travel to Apia 20 km to the west was mainly by bus - to schools, to visit and attend social events in other villages, or for shopping or visits to government offices, banks, hospital, lands and titles court etc

Norton also gave particular attention to leadership and authority, eventually publishing an academic paper on electoral politics at the village level. To enable him to sit with the matai [aiga titled chiefs] in the village fono [council] meetings he was given an honorary title.

Many of the photos were taken at Fono meetings - at village, sub-village, and inter-village levels. Some photos are of a Fono meeting functioning as a court hearing and judging minor disputes and imposing fines. These photos are restricted access. Norton himself once faced the prospect of attracting a fine that would be levied on the matai head of his host household if he refused to remove his beard. The village fono had for a year or two decreed it an offence for men to grow beards or long hair and for women to wear slacks. The rule expressed tension between the Fa’a’Samoa [Samoan way] and the Fa’a’Palagi [European way] that had strengthened a little with the impact of the labour migration, not just on material living conditions and social competition, but on popular consciousness, particularly in the youths who became accustomed to interactions with emigrants returning to the village for important social celebrations and to display their successes and tell stories about life in New Zealand. Norton didn’t hesitate to shave for the duration of his short stay in 1977. But by his next stay three years later the anti-beard rule had been dropped.

This collection of 34 photographs were taken by Fr. Franz Herkenhoff and Br. Bryan Leak between 1990 and 1992 in Bougainville.
The photographs document aspects of the Bougainville conflict as well as the people Fr. Herkenhoff worked and lived with.