This collection of 292 slides was transferred from the National Museum of Australia ‘Ellestan Dusting Collection’ to the Pacific Manuscripts Bureau in 2010. The slides came in two wooden boxes: one labelled ‘Papua and New Guinea’; the other labelled ‘Cocos Islands, New Hebrides and New Caledonia’ (however, inside the second box, the labels are for New Hebrides and New Caledonia only). No information was supplied with the slides except for a few handwritten captions on those for Papua and New Guinea.

There are 139 photos taken in 1957 and 1959, during official visits to the Territory of Papua and New Guinea by then Australian Minister for Territories, Paul Hasluck. Ellestan Dusting served as Hasluck’s private secretary in this period. On the 1957 tour, Hasluck was accompanied by Netherlands Minister for Overseas Territories, Mr Helders. The images captured in this set include several photos of Hasluck, Helders and other officials, though the majority of photos are of services and infrastructure, people, scenes of daily life and photos taken in transit. The delegates visit Goroka, Madang, Rabaul, Lae and Port Moresby. Photos include sing-sing at Wau show, visits to schools, hospitals and cemeteries.

The 135 slides of New Hebrides were taken as Dusting accompanied a short official “Joint Tour” in conjunction with the French and British Commissioners. The tour started in Vila and then went up through the central islands, Pentecost Island and on to Espiritu Santo. The slides depict images of dancers from many different regions. They don’t necessarily indicate the island where the photograph was taken as dancers from other islands were often asked to participate in tour festivities. In addition to formalities of the tour, including the consecration of a church and the opening of a bridge, this collection includes several images of Girl Guides and Boy Scouts. Dusting had a lifelong involvement with the Girl Guides movement.

No information was supplied for the 16 slides of New Caledonia. These photographs depict images around Noumea in an unknown year. This set of images features landmarks such as Haut Commissariat / former Hotel du Gouvernement, Noumea port, Societe Le Nickel (SLN), South Pacific Commission / Du Pacifique Sud building, Noumea, Pointe de l'Artillerie and Cathedrale Saint Joseph de Cluny] as well as many natural features.

This collection of 44 photographs documents time spent by Gwen and Tom Taylor at Buin Area School and Kerema in Bougainville, Papua New Guinea from 1945 to 1961. Most of the photographs relate to Buin Area School and document the physical appearance of the school and various aspects of life there. These include photographs of students in classrooms, making cane furniture, weaving, swimming and gardening. Several photographs show Gwen Taylor holding babies and being pictured with nuns. Tom Taylor is pictured in a classroom and mention is made of his role as the principal of the school at Buin. Some of the photographs depict special occasions and ceremonial events being celebrated by local people. There are good examples of houses, school buildings and a church. One photograph depicts the purchase of a new truck and there are a few photographs depicting canoes, including an outrigger canoe. Also pictured are boats, including the MV Gona. One photo appears to show artillery at Kokopo. A few photographs feature non-local adults and children posing for the camera. One photograph shows a large cloud of smoke and appears to be the burning of garden. Another shows an explosion in the sea.

Jean Chambers was a commercial artist who commenced work designing screen slides for Whitford Theatre Ads in Sydney. She then worked for Vivian Art Studios which carried out all branches of advertising and display for many large buisiness firms in Sydney, including Bonds Hosiery, Berley’s and Nestles. In 1935 she married Keith M. Chambers and moved to New Guinea with her husband. They were evacuated in 1941, returned to Madang in 1946, where Keith Chambers was the Customs Officer, then moved to Rabaul in 1948. In 1948 a Maternal and Child Health (MCH) service was established in the TPNG Department of Public Health by Dr Joan Refshauge. The MCH commissioned Mrs Chambers to design posters on infant care. (See posters marked “Rabaul”.) The original paintings were sent to Sydney for lithographic block making in 3 or 4 colours. Thousands were printed and returned for distribution by the Public Health Department as teaching aids in villages throughout the Territory. The couple moved to Port Moresby in the mid 1950s where Keith Chambers eventually became Chief Collector of Customs. In Port Moresby Jean Chambers designed and completed film strips for the Commonwealth Film Unit on women’s club training, and worked for Burns Philp (NG)Ltd for 18 months during 1958-59 on display and newspaper advertising. Mrs Chambers also received more commissions for posters and eventually acccepted a full-time appointment with the Department of Information where she trained New Guinean staff in silk screen printing, using her designs and stencils for posters, mainly on health education but also for the Departments of Agriculture, and Post and Telegraphs. Mrs Chambers left PNG when her husband retired in 1965 or 1966.

34 lithographic and silk screened posters on health education in PNG, 1948-1965(?); 13 posters on the introduction of decimal currency in PNG, 1965.

Joanne Wodak worked as a Tutor then Senior Tutor in literature at the University of Papua New Guinea from 1968-1970. This collection is the result of research conducted in Ombisusu in the latter part of the first half of 1969. It consists of stories by inhabitants of Ombisusu that were mostly translated into English, some left in the original language, and written down or typed by the researcher after recording them on tape. The aim of collecting stories was to keep them for the benefit of the children of Ombisusu villagers and for other people in Papua New Guinea. The collection contains origin stories, history stories and clan stories.

These 152 35mm slides were taken between October 1969 and November 1973 by Roger Southern, who was then teaching at the Department of Geography at the University of Papua New Guinea [UPNG] and was researching a master’s degree with the University of Bristol for which he travelled to the PNG Highlands to observe the place of roads and road transport in economic change.

The images illustrate ten themes:

1. TRADITIONAL HIGHLAND VILLAGE LIFE, Lumusa area, Baiyer River district [Images 1 to 25]
2. BAIYER RIVER, local roads, and the emerging cash economy [26-46]
3. BAIYER RIVER, the Baptist Mission and Enga Enterprises coffee cooperative[47-57]
4. ALONG THE HIGHLANDS HIGHWAY, road making and road transport in a challenging environment [58-76]
5. ULYA COFFEE PLANTATION, people, activity in and around the plantation [77-94]
6. MOUNT HAGEN, images of the town [95-104]
7. WAHGI VALLEY, KINDENG, the tea plantation [105-113]
8. WAHGI VALLEY, KINDENG, the smallholder projects [114-126]
9. UPNG [UNIVERSITY OF PAPUA NEW GUINEA], the campus and some events [127-137]
10. UPNG [UNIVERSITY OF PAPUA NEW GUINEA], the students [138-152]

The late Edith Watts MBE and the late John Watts MLA provided many of the opportunities for images 1 to 126 to be made. Southern also remembers fondly the students and staff of the brand new and exciting University of Papua New Guinea [images 127-152].