Main journal entries written from Taviuni (Taveuni?), Macuata, Vanua Levu, Koroivono and Levuka, Fiji; on board schooner "Daphne" towards Futuna and Uvea; at Futuna and Uvea; on board schooner "Louisa Ryder" towards Samoa; Apia, Mulifanua and Falelatai, Samoa; Tutuial (now American Samoa); on board barque "Metaris" towards Fiji; on board schooner "Pio Nono" towards Samoa.

James Lyle Young (1849-1929) was born in Londonderry (Derry), Ireland, and went to Australia with his parents in the mid-1850s. After working in Australia as a station hand, Young, in 1870, went to Fiji where he was associated for five years with a cotton-planting venture at Taveuni. In April, 1875, he left Fiji on a trading voyage to Samoa via Futuna and Wallis Island.

The journal gives a vivid account of Young's life during three of his most adventurous years. It begins with a trading voyage round the Macuata coast of Fiji followed by a voyage to Samoa via Futuna and Wallis Islands. In Samoa, Young saw a great deal of the American adventurer, Colonel A.B. Steinberger, who headed the Samoan Government for 10 extraordinary months. After playing a prominent part in the events that led to Steinberger's downfall, Young sailed for the Marshall Islands in May, 1876, to open a trading station for Thomas Farrell at Ebon Atoll. He remained in Farrell's employ until November, 1877 when he went to Majuro.
See also PMB MS 22 and 23 and the Bureau's newsletter Pambu, Dec. 1968:5, pp.1-12.

‘A Paradise of the Gods. Writings and Drawings of Handley Bathurst Sterndale.’ is an unpublished digital edition edited by J.J. Overell. In 1870, Handley Bathurst Sterndale worked as a surveyor on the island of Upolu, Samoa, for the German trading company Goddefroy & Sohn. In this capacity, he made an expedition across Upolu, making notes and sketches about the journey as he went. In 1871, on Motu Kotawa on the islet of Pukapuka atoll in the Cook Islands, he worked these notes into the manuscript ‘Upolu; or, A Paradise of the Gods’, and worked his sketches into finished drawings. Some accounts are not his first hand observations and others are demonstrably wrong. Sterndale sought to have the manuscript published, but was unsuccessful in finding a publisher before his death in 1878. After his death, it was listed in a catalogue among the publications of Sampson Low, Marston, Searle and Rivington of London, but the manuscript never made it to print.

The original notebooks have since been lost, but the surviving manuscript and drawings have been passed down to Sterndale’s descendants. This edition brings together edited excerpts from Sterndale’s original manuscript and is illustrated with his original drawings, which were digitised by photographer Rod Howe. It also includes a detailed introduction by editor J.J. Overell, and contextual chapters on the geology of Upolu, a chronology of Sterndale’s life and detailed appendices, including a complete transcript of the original manuscript.

Subjects covered by Sterndale include beachcombers, Samoan cultural beliefs and practices, civil conflict, diet, agriculture, wildlife, disease - amongst others. In addition to Upolu, Sterndale writes about Levuka in Fiji and Easter Island or Rapa Nui.

The Oceania Marist Province Archives Series (OMPA) is the result of a special project during which records of the Catholic Church in islands of the Western Pacific were copied by Father Theo B. Cook, SM in collaboration with the Pacific Manuscripts Bureau. (Cook was born Theodorus Bernardus Wilhelmus Kok but chose to go by the name Cook in Australia: Povey, 2010). The OMPA series covers the Diocese of Tonga (OMPA 1-25), Diocese of Samoa and Tokelau (OMPA 26-74), Marist Fathers, Rome (OMPA 80-100), Diocese of Wallis and Futuna (OMPA 101-126), Diocese of Port Vila (OMPA 127-178), Archdiocese of Noumea (OMPA 179-360) and the Oceania Marist Province Archives (OMPA 361-400).

Detailed indexes were prepared for the six diocese and those records copied in Rome. These can be found at http://asiapacific.anu.edu.au/pambu/collections/microfilm.php or compiled in The Catholic Church in the Western Pacific: a guide to records on microfilm (Robert Langdon, ed.), Canberra, 1986.

Fison (1832-1907) a university-educated man, with a keen interest in anthropology, was born in Suffolk, England. He migrated to Australia in 1856, joined the Methodist Church, and went to Fiji as a Wesleyan missionary in 1864. He remained in Fiji until 1884, when he returned to Australia and became editor of the Spectator, a Melbourne church paper.

Copies of letters, notes on Fiji customs and personalities, sketches of life in Fiji, and an early draft of Fison's book 'Tales of Old Fiji' (London, 1907). The wording of some of the tales, as recorded in these papers, has been much worked over and occasionally differs in its final form from that in the published versions.

This collection of 54 photographs records a visit to Fiji in August 2009 by Bill Gammage. The visit was to see friends and look around. The photos were taken in Suva and around Viti Levu. PMBPhoto_101 complements these photos.
Subjects include Suva, Suva hinterland, Bau, Takalana Bay and Moon Reef, Tongan hill fort and views, Nausori Highlands and Bukuyu Village. The Sigatoka Sand Dunes and Mt Victoria (Mt Tomanivi) are also subjects.

PMBPhoto 101 is a collection of 176 selected photographs of Fiji subjects taken over two weeks in August 2009. Friends living in Suva – Judith Robinson and Chris Gregory, Brij and Padma Lal and Ian and Valerie Campbell – organised several people to meet and places to visit on Viti Levu and Bau. The photos were selected from a collection of 414 photos. They complement the photos in PMBPhoto70 taken at the same time by Bill Gammage.
The subjects include places of Fiji historical and political interest such as Nukulau Island, and in Suva town, Parliament House, Government House, the Government buildings complex foundation stone, the list of Governors of Fiji 1874 to 1938 and 1938 to 1970, the Supreme Court of Fiji, buildings constructed in colonial times including the old picture theatre, the Sacred Heart Cathedral, Suva town market, the Grand Pacific Hotel, and Albert Park, and more recently the Fiji Independent Commission Against Corruption. A banner “We Need Rainbows Not Rambos” reflects the feelings of some people at the time. More contemporary subjects of general interest in Suva include a McDonalds fast food outlet, an artefact shop, the view across Nabukalou Creek, Pure Fiji cosmetics, and the University of the South Pacific.
Suva’s hinterland provided the following subjects: the Colo-I-Suva Forest Park and Quarry, and Nausori. Of historical and particular personal interest are the photos of the Methodist Church at Dilkusha and its attached kindergarten. Jan’s stepmother spent several months at the Dilkusha Methodist Mission after she left school in 1922. Other subjects include Takalana Resort with its lovo pit (earth oven), pineapple and other flowers and Moon Reef. For photos of dolphins see PMBPhoto70.
The Hindi wedding in Suva of Savita and Mahen is a major subject. It took place over an evening and three days, and was full of interest, colour and activity. The selection includes 50 photos.
Other major subjects are Bau, Bukuyu and Mt Tomanivi (Mt Victoria). There are 25 photos in the selection of Bau, where we were the guests of Ratu Jope Seniloli and his wife, Adi Seru Seniloli. The photos show some traditional customs as well as some of the sites of this historic island. Spending a night with Freddy and Tupou Gusulevu and family in rural Bukuyu in the Nausori Highlands was also enjoyable, and provided many subjects including kava and turmeric farming, as well as rural improvements such as local hydro electricity and football fields. The 27 photos in this selection include subjects seen on the way to and from Bukuyu including views from the Latamai Scenic View at the Tongan Hill Fort and the parabolic sand dunes at Sigatoka. Eleven photos are of subjects near Mt Tomanivi as well as the mountain itself, including Navai village and the Monasavu dam construction site.
Women are often the subject of these photographs. They are photographed working in shops, markets, as security guards, in their homes, and as participants in and guests at the wedding.